ress, and will inevitably, in time, develop a desire to advance to original designing. In spite of all that is said to the contrary, there is merit of a decided character in a well-executed fac-simile. To conscientiously copy an artistic piece of work, with a distinct and definite motive, is one thing, and is sure to have some merit ; but to imitate others' methods and mannerisms by counterfeit representations is quite another, and deserves only censure and criticism, as this is false art.
Originality, as applied to decorative art, is an expansive term, and a very wide latitude is allowed in which to exercise it. There are varying degrees of originality ; and, in fact, the word "original' is capable being largely qualified to suit occasion, and to cover innumerable contingencies.
Original decoration differs somewhat from an original painting ; as the former phrase is permissible even when another's design is employed, if it is adapted or accommodated to some other shape, if in this construction it is invested with a degree of originality,
While adapting a design is practically tantamount to copying it, yet sufficient diversity may be obtained to create an altogether different impression.
Perhaps this may require at times a very nice discrimination to definitely decide just where the copying ends and the originality begins ; and it
